March 2007

You are currently browsing the monthly archive for March 2007.

alright, some of this isn’t really new music, but it may be for you. check out these tunes, if you haven’t yet sampled the delectable melodies…

Joshua James, “FM Radio”
i learned of Joshua James through an iTunes discovery download a couple weeks back; this song is sad as all hell, but it’s also beautiful and exquisite.

Unkle Bob, “Swans”
Unkle Bob has been a “friend” of mine on myspace for at least a year now; they just got this song on Grey’s Anatomy, so people in the States are finally starting to catch on. goofy name, great music.

Acceptance, “Take Cover”
you might know their song “Different,” but you should check out the rest of this record — since recording it they’ve broken up, which is a tragedy, because this is a fantastic bunch of tunes.

David Bazan, “How I Remember”
front man of “Pedro The Lion,” Dave Bazan is one of the best lyricists out there. this is from his newest EP.

Jon McLaughlin, “Industry”
i heard his song “Beautiful Disaster” on XM the other day and checked him out on iTunes — i’m diggin’ this song a LOT.

David Crowder* Band, “Oh the Glory of It All”
David Crowder and Crew are some of the most progressive musicians on the planet. check out this new song straight from Passion ‘07.

Alexi Murdoch, “All My Days”
if you’re into melodramatic nighttime tv soaps, you might remember Alexi’s song “Orange Sky” from The OC Mix 1. this is an amazing song from his newest cd.

The Feeling, “Never Be Lonely”
these guys are UK imports, but they’re not brooding brit-pop — this is happy, fun, dance-a-jig-to-it pop. love it, you will!

Butterfly Boucher, “A Bitter Song”
you probably remember Butterfly’s song “Another White Dash” from a couple years ago; this is her newest single, also recently featured on Grey’s Anatomy. it’s from her new album, not even out yet, but the label let her release this song as a single after the tremendous response from the show.

UPDATE: Mika’s wonderful, amazing, fantabulous album “Life In Cartoon Motion” released yesterday in the US! Get it on iTunes!

i think you might misunderstand us when we say we want to “swear.” i get the impression that you think we are being careless towards God, or nonchalant about our jesus-ness or something. but we’re not.

we have seen four-letter words everywhere, probably since middle school or maybe even before, but for a reason that was never clearly articulated to us, we weren’t allowed to speak those words around our parents, in our homes, and certainly not in our churches.

to us, THAT is careless, because it is hypocritical and inconsistent. in our minds, jesus often said things that were VERY intense, VERY passionate, and VERY disquieting and disturbing to people. we know you value propriety and pomp, and we do see the value in that (at weddings and graduations mostly), but in the day-to-day dirtiness of our everyday lives we value expression and honesty more — even if said honesty can sometimes be seen as obscene.

maybe sometimes honesty IS obscene. maybe it’s even OK.

we don’t mean to be rude, or to come off as uncaring or impolite, but we have an innate NEED to express ourselves. by limiting our language when we are around you, you are only seeing a part of us: a part that is censored, diluted.

we long to share our souls, to be ourselves, to love and hate with reckless abandon, but you are containing us. you are boxing us.

to top it all off, you often don’t even play by your own rules. we have heard these words in our homes — but only if they are spoken through a character on the television. if a Survivor contestant lets out an expletive in a moment of frustration it is considered REALITY tv, but to do it in REAL reality is considered unspeakable.

wouldn’t it be more helpful to teach us appropriate and careful uses and meanings for all of our cultural vocabulary instead of simply putting little black squares over some words your parents taught you to not say?

wouldn’t it be better if words served us instead of us serving them?

me and marty scorsese

i’ve not seen too many Scorsese flims; actually, before tonight, i’ve only ever seen one: 2004’s The Aviator. i very much want to see The Last Temptation Of Christ, but haven’t yet.

tonight we watched The Departed. Now, Marty and i don’t get coffee too regularly, but i did have my butt parked on a counch in front of a large screen tv and watched his reaction when he won his oscar this year. i knew he hadn’t won for best director before and was pretty heartily, secretly, rooting for him. his speech was sincere and i liked him, as a person, quite a bit after that. then of course The Departed won Best Picture and i knew it was going to be a necessary watch.

you never really know what you’re going to get from a film. when i partake, i try to go in with a open mind, with the hope that i can internalize whatever it is i feel the filmmaker is trying to create. i optimistically hope for the best.

i gotta be honest, i wanted very badly to like this film, but The Departed left me longing. truthfully, i fully expected it to be visually captivating and, overall, brilliant. most of the movie was that, a gripping anti-fairytale of a story, with fabulous, really stunning actors (jack, of course, is always grand, and leo really almost matches him), but the end… oh the end. it was SO ambiguous that i felt a little gypped, honestly. two and a half hours of my life… i wouldn’t say wasted, exactly, but i was a bit let down.

personally, i think you should go see Black Snake Moan instead.

Brian McLaren just posted a fantastic blog about the preservation of God’s creation — check it out here!

mika (mee’-kuh)

MIKA

if you’re not yet aware of this artist, do not fear, for i am here to tell you!

his name is Mika (pronounced mee’-kuh), he’s from the UK, and his debut record “Life in Cartoon Motion” will be released in the US on March 27. simply put, he’s fantastic. one part elton, one part freddie murcury/queen, and one part INXS… it’s fun, bombastic, and brilliant.

check it! myspace.com/mikamyspace

how to create the future

lately i’ve been abnormally preoccupied with the future. there are obviously endless ways to dichotomize humanity, but today i wonder if we could split people into these two groups:

1. people who stand by and let life happen to them, and
2. people that make things happen; people who create the future.

i was watching oprah’s post-oscar show the other day. she brought on this year’s host, ellen degeneres, who talked about her well-publiziced period of life when her sitcom, and life, pretty much tanked because she told the world that she’s gay. there were about three years when she was very depressed and moped about her house wondering why life was so, ahem, shitty, and why things wouldn’t turn around. but then one day, she got up in the morning and said to herself, “why am i waiting around for someone to save me? i’m a writer! i’ll just write a show and do what i do!” and so she wrote an HBO special and started her re-ascent.

one more story: this is taken from a small booklet called Good To Great And The Social Sectors by Jim Collins.

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In the spring of 1988, Wendy Kopp graduated from Princeton with an elegant idea: why not convince graduates from leading universities to spend the first two years of their careers teaching low-income kids in the public education system? She had no money, no office, no infrastructure, no name, no credibilty, no furniture, not even a bed or a dresser in which to store her clothes. In her book, One Day, All Children…, Kopp tells of moving into a small room in New York City after graduation, plopping her sleeping bag on the floor and pulling jeans and shirts out of three garbage bags and piling them into neat stacks on the floor. After convincing Mobil Corporation to grant $26,000 of seed capital to found Teach for America, Kopp spent the next 365 days in a juggling act–convincing top-flight people to join her bus, while at the same time convincing donors that she would convince top-flight people to join her bus.

One year later, Kopp stood in front of 500 recent-graduates from colleges like Yale, Harvard and Michigan, assembled for training and deployment into America’s underserved classrooms. And how did she convince these graduates to work for low pay in tough classrooms? First, by tapping their idealistic passions, and second, by making the process selective. “She basically said to all these overachieving college students: ‘If you’re really good, you might be able to join our cause,’” explained Michael Brown of City Year, who watched with admiration. “‘But first, you have to submit to a rigorous screening and evaluation process. You should prepare yourself for rejection, because it takes a special capability to succeed in these classrooms.’”

Selectivity led to credibility with donors, which increased funding, which made it possible to attract and select even more young people into the program. As of 2005, more than 97,000 individuals applied to be part of Teach for America (yes, ninety-seven thousand), and only 14,100 made the cut, while revenues grew to nearly $40 million in annual support.

Wendy Kopp understood three fundamental points. First, the more selective the process, the more attractive a position becomes–even if volunteer or low pay. Second, the social sectors have one compelling advantage: desperate craving for meaning in our lives. Purity of mission–be it about educationg young people, connecting people to God, making our cities safe, touching the soul with great art, feeding the hungry, serving the poor, or protecting our freedom–has the power to ignite passion and commitment. Third the number-one resource for a great social sector organization is having enough of the right people willing to commit themselves to mission. The right people can often attract money, but money by itself can neve rattract the right people. Money is a commodity; talent is not. Time and talent can often compensate for lack of money, but money cannot ever compensate for lack of the right people.
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i don’t know about you, but i, for one, will be the second kind of person.

on perspective

as i am the “arts guy” at the church i work for, i get to choose what goes on the big screen at our sunday morning gatherings. we try pretty desperately to have an inclusive spirit, to make a place where everyone would feel welcomed. we don’t always succeed, but we try.

to that end, we decided to have a sunday gathering focused entirely on bringing our friends who don’t have a place to belong. in our incendiary originality, we called it “bring a friend” sunday. so, i put an announcement-thing up on ye big screen, because there are statistics that say when people both see something and read it as well, they are more likely to remember.

so i put up a picture of everybody’s Friends: chandler, joey, monica, rachel, phoebe, and ross.

about two weeks after it had been in the rotation, my A/V person said, “hey did you notice that our Friends are smoking, drinking, AND gambling in that picture?”

wow, those are like the three cardinal sins for churchgoers, i think. thank God they weren’t dancing.

“uh… no. never even noticed.”

oops. (don’t care. oops again?)

i just saw Rent, the movie adaptation, for the first time a couple weeks ago. i won’t lie to you, i love musical theater like crazy people love the desert. i’ve known the music from the original broadway cast of Rent for probably a couple years now, but had never seen the show. so we finally rented the DVD and it’s phenomenal. wonderful. love it.

it’s full of rampant hardcore drug use, blatant homosexual content, and pretty “bad” language. but, frankly, i don’t see any of that. i see a story about love, friendship, and getting past regret.

it’s all about perspective.

everything. always.

we choose what we want to focus on, and that is what we see. often, it’s all we see.

i don’t think this is a bad thing, though. in fact, i’m pretty sure God made us this way. if we couldn’t filter our contexts the stimuli would probably overload our brains, they’d explode, and there would be pieces of brain everywhere. and that’s just gross.

maybe our perspectives are more than “normal;” maybe they’re GOOD. maybe we can use our unique perspectives to see what others might miss…?

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